Sound textures experiments

“Subtractive-additive” synthesis experiment: Crackling noise sent through harmonic resonators with expression control. (using a special version of the resonators~ object by Adrian Freed at CNMAT.)
The type of sound synthesis that we are planning for the instruments might not sound that weird this since we are more looking for usual and rather stable timbers, and more than the originality of the sound itseft, the most important in sound is it’s structural expression: The special way it will move while the body of the musician moves. The sound bellow is not an example of that yet, but an “expression” movement (just a mouse slider) can be heard sometimes:
(The .zip is in the fourth msg)

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